"Ma Rainey’s Black Bottom": A Lesson in Blues
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.

Pat Baker is a small town sheriff. His son, Kurt, is a deranged young man with a dark secret. Sheriff Baker's worst nightmare comes true when Kurt escapes from a psychiatric hospital where he was locked away for the brutal murder of his mother thirteen years earlier. Gary, a hospital security guard, sets out into the woods to stop him, but soon finds himself relentlessly hunted by the deranged psychopath intent on killing him and anyone who crosses his path. Sheriff Baker launches an intense search to find his son, only to discover that his daughter, Sara, and her friends are camping in the same woods where Kurt has escaped. Kurt's psychosis escalates, as does his vengeful killing spree, culminating in a terrifying, climactic confrontation with Kurt, the sheriff and his family.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.