François 

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters. 

This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.

I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.

In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.