Two American secret agents - Frank and Wendy - are sent to the world's hotbed of danger, known as Estonia. Estonia is a silly place, perhaps even sillier than the agents themselves. Frank and Wendy, for whom saving the world is their daily work, achieve both mental and manual feats with the greatest of ease. It appears that nothing can prevent their ultimate victory, but go figure. The axis of evil does not wither and attacks the super-agents from where they can least expect it...
Ülo Pikkov, Kaspar Jancis, Priit Tender
Director
Peeter Oja
Narrator (voice)
Jan Uuspõld
Frank (voice)
Janne Ševtšenko
Wendy (voice)
Andrus Vaarik
He-Boss (voice)
Anne Reemann
She-boss (voice)
Eduard Toman
Putin (voice)
Erki Laur
Hungerburger Radio (voice)
Tarmo Männard
Nazi Dwarves / David Snowman (voice)
Tiina Tauraite
Animator (voice)
Margus Prangel
George Woo (voice)
Koji Yamamura
Japanese Tourist (voice)
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.