Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.

An aspiring dancer moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks.
Dracula evolved from a person to a monster and then from a monster to a person.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.