Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

More than half a century after independence, the Algerian question remains a taboo subject in France and arouses passions. Whatever the words, whatever the decisions, there will always be a side that feels aggrieved. Why does time fail to cure resentment? From the signing of the Evian agreements in 1962 to the skid of the candidate Macron, who was in February 2017 in opposition to the "Pieds Noirs" community for comparing the colonization of Algeria to a crime against humanity. The story is told through the experiences of exiles, activists, former soldiers and politicians, all involved in the events.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.