
The National Gallery in London has flooded, and senior curator Quentin Lester has a dramatic solution. He proposes that the entire collection of priceless paintings should be removed from London and stored in an abandoned slate mine inside a Welsh mountain, as they were during the Second World War. Soon after Quentin is settled in North Wales admittedly more at home in a cave among his paintings than he is with other people he unwittingly sets in motion a series of events that wake up this sleepy, charming town. After mistaking local boy Dylan Hughes for an art history genius, Quentin finds himself in the middle of mayhem.
This movie will always resonate with queer people, for as long as queer people exist.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.