"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

When a man faking a leg injury meets a woman pretending to be pregnant, they strike an unusual connection based on shared dysfunction and a reluctance to face their past.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
This is a film that is going to leave some people bored, and some people thrilled.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.