Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

At a Northern Thai university, freshman Easter hopes a new environment will help him move on from a past love, only to encounter Hill, his former boyfriend and now a senior assigned to mentor him. Forced closeness revives unresolved emotions as both confront the possibility of reconciliation. Meanwhile, Easter’s roommate North wakes up after a drunken night owing money to Johan, a charismatic upperclassman who uses the situation to get closer to him. As the two pairs navigate misunderstandings, emotional baggage, and campus life, they discover love, forgiveness, and personal growth amid friendships and daily routines.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.