Founded in 2004, the Festival originated in Wisconsin and Minnesota by Joe Pickett, Nick Prueher and Geoff Haas, childhood friends from Wisconsin. While still in high school, Pickett and Prueher began collecting videos from garage sales, training videos from odd jobs, and copies of tapes from a video production house. The friends would then play selections from this collection for entertainment at parties. In 2004, Pickett and Prueher quit their day jobs to focus on production of their first feature documentary, Dirty Country. They started the touring Found Footage Festival show to fund the production of the documentary. In addition to its regular touring schedule, the Festival has appeared at the HBO US Comedy Arts Festival, Just For Laughs (the Montreal comedy festival), the New York Comedy Festival, the Impakt Festival in the Netherlands, and the Central Standard Film Festival in Minneapolis, MN. The Festival is currently based out of New York City.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
