Short Film: 'The Other Side' Examines Poverty in Mumbai—“People like you don’t belong here”
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.

During their childhood, Hanna and Clarissa were best friends. They spent every vacation together in an old summer house on a small island. Shortly after Hanna’s 9th birthday, they suddenly lost touch and only meet again unexpectedly 25 years later. Hanna is now married, has a seven-year-old daughter and is the chief resident physician at the hospital where she reunites with Clarissa. Her old friend has been brought to the hospital ER for overdosing on sleeping pills. The two women pick up their friendship where they left off and spontaneously decide to spend a few days on the island, just like in the old days. When Hanna learns that Maria, a playmate of hers from the island’s village, disappeared as a child and was never seen or heard from again, she begins to search in the past. Something horrible must have happened on the island and they must have been involved.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
Four more classic horror films that are entertaining even if occasionally absurd.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.