Brought up in a criminally corrupt town local psychic Glen Parsons is no stranger to crime but when his beautiful wife and unborn child are brutally murdered and he is left seriously wounded; something snaps. Detective Lance Steel is a corrupt cop whom uses the badge to exploit the innocent and corrupt. He soon crosses paths with Glen and finds himself battling the xenophobic young man's furore. As more and more bodies show up bearing Glen's mark a relentless criminal investigation is unleashed, entangling Steel and everyone around him. The gift of foresight was once a tool Glen used to help the desperate but now with a haywire brain the line between good and evil, sanity and insanity blur in a crescendo of blood-splattered violence.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
