Pearl Review - Mia Goth's Twisted Delusions of Grandeur
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.

In May 2017, the legendary rock ‘n’ roll band Foreigner performed two sold-out shows together with the 21st Century Symphony Orchestra & Chorus, conducted by Ernst van Tiel, taped over three spectacular nights in Lucerne, Switzerland. "Foreigner Live at the Symphony" represents a year-long collaboration between Foreigner founding member and lead guitarist Mick Jones and the Grammy-nominated composing/arranging team, Dave Eggar and Chuck Palmer, exploring the deep symphonic potential of these classic and iconic songs. Celebrating 40 years of chart-topping hits, the band performs “Juke Box Hero,” “Cold as Ice,” “Blue Morning, Blue Day,” “Waiting For a Girl Like You,” “Starrider,” “Double Vision,” “Urgent,” and “I Want to Know What Love Is.”
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.