
Foreign Office focuses on the period during which Algiers – between 1962 and 1972– became the “mecca of revolutionaries”, hosting representations of many liberation movements from Africa, Asia and the Americas, such as Eldridge Cleaverʼs International Section of the Black Panther Party, Mandelaʼs ANC, or the PAlGC (African Party for the Independence of Guinea and Cape Verde) founded by Amilcar Cabral. Taking as a starting point this forgotten past of post-independence era and internationalism, Foreign Office, invites to reflect on history and its transmission, and on emancipation as essentially linked to poetry. The film shows two young Algerians “re-writing” this history through images, language, and orality, articulating an historiography defined by “cinematic montage” as well as by translation as forms of writing, investigating, and reflecting on history and its resonances.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.