Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

During the winter of 1943, the German Army halted the American advance in the mountains of Italy; back-and-forth combat decimates Joe Peterson's platoon. On leave in Naples, Joe meets WAC lieutenant Eleanor MacKay; initially cool, she begins to melt during a bombing raid. Their romance develops despite Joe's periodic returns to the front. But whether he'll come back in the end becomes more than doubtful.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.