Forbidden Fruits (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

Due to an accident during hockey practice teenage-nerd Sam Anders is chained to his desk chair with a broken leg, spending time with his next best friend: his computer. When boredom is almost fatal, a dubious program gets his attention and soon he finds himself spying on his classmates by hacking their web cams. Discovering the most intimate secrets about his victims starts as fun but turns into a serious situation, when he witnesses the new boy in class Aaron having severe problems with his father. The sudden disappearance of the man and Aarons ominous behavior leads him to the suspicion of murder. Sam and Livia, who accidentally finds out about the whole situation, start investigating on their own...soon finding themselves on the slippery edge of events getting out of hand...
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
A story of a magical dragon brings great representation for Chinese culture.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.