Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

The feature film based on Eduard Bornhöhe's story takes the viewer to the early days of the 20th century, when Estonia was still part of the tsarist Russia. Pride in one's nation was emerging and the desire to give something eternal to one's people at any cost - be it a miracle machine flying in the air or valuable literature written in the language of the country. Unfortunately, it was not that easy and sometimes there was lack of talent.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
This fantasy movie released on Disney+ has strong topics and themes related to magic.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.