Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

The late, great Joey is back, in this effort from Master Director(ess) of masturbatory selections, Chi Chi LaRue. Probably considered one of Joey's all-time best flicks, this one is for fans and non-fans alike. It's a nasty good time. While mourning the loss of his mother, Joey discovers feelings for his stepfather.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
A throwback to the last months of the 20th century in this comedy film.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?