'Joker' (2019)
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.

Since bursting onto the music scene last year with her double platinum first album 'Pie On My Face', Tildy ST. John has become not just a full fledged phenomenon and household word, but a critics darling and social enigma as well. An astonishing feat for a major star let alone a 27 year old from Pickum, South Carolina who only two years ago was sleeping in a cardboard box in the back alleys of Detroit with her mother, Connie, and her Uncle Clutch, while playing guitar on the streets for spare change. On November 12th 2001, aspiring documentary filmmaker Griffin Mack began to capture the story of this elusive rising star. He never finished. These are those four days.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.