
From opposite ends of the globe come two animated tales illustrating that the wishes and fantasies of people are similar folk themes the world over. The European tale of 'The Fisherman and his Wife' and the Japanese story of 'The Stonecutter' remind us that it is human nature to dream of unlimited glory, but in reality, there is great joy and contentment to be found in ordinary living.
More than a coming-of-age story, Caity is a movie about losing the naivety of childhood before you're ready to.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
The one-way journey went to the desert that refused to offer an answer or a transcendence.