A Good Burger Comes with Fries and a Shake
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.

Lost in a fog-shrouded forest, an amnesiac man becomes trapped at the border of two imaginary countries. Confined to a tent in the no-man's-land while authorities try to identify him, he begins to sense a mysterious connection between the officers guarding the line. Through this liminal standoff, Fog examines the absurdity of borders and identity.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'