
In an abysmal desert, Fofi, a Tyrannosaurus rex, is looking for water, spots an oasis, but gets stuck in a puddle of tar. Parka, the dinosaur goddess of death, appears to take his life, Fofi manages to escape and reaches the oasis. Parka, humiliated, moves into space and directs a meteorite towards planet Earth.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.