In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Patricia, a woman from Dominican Republic, needs a home and an economic security that her illegal status in Madrid does not provide her. Milady, twenty, born in Havana and dying to travel the world. Marirosi has a job, a home, and the most complete solitude... just like Alfonso, Damián and Carmelo, men from the St. Eulalia, a village lacking both marrying women and future. A bachelors' party forces the encounter between them and the beginning of this bittersweet story of sharing a living.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
'Tuca and Bertie' (2019) is an animated series centering around best friends of the same name as they traverse the challenges of their thirties.