Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Flower Child poster

Flower Child (1967)

"... about a girl who photographs a young man in Central Park who sits in a tree and plays a pipe. He resents her photography and follows her home to get the film from her. They make love. Whilst he is asleep she develops the negative, but in the resulting print he is missing. Was he the god Pan?" – Ken Gay, Films and Filming "... has much to do with nuance of the most ineffable kind: appearance as against behavior; oddities and crudities of expression, diction and composition in the service of a texture that's unpleasant or embarrassing one moment and elaborately touching the next, with the gap never bridged. The performers are Joy Bang ... and Frank Meyer, a bored cherub who could become a key ambivalent figure for modern films." – James Stoller, The Village Voice Exhibition: Int'l Festival of Short Films, London, 1968 [Overview Selection Courtesy of the Film-Makers' Cooperative]
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


"... about a girl who photographs a young man in Central Park who sits in a tree and plays a pipe. He resents her photography and follows her home to get the film from her. They make love. Whilst he is asleep she develops the negative, but in the resulting print he is missing. Was he the god Pan?" – Ken Gay, Films and Filming "... has much to do with nuance of the most ineffable kind: appearance as against behavior; oddities and crudities of expression, diction and composition in the service of a texture that's unpleasant or embarrassing one moment and elaborately touching the next, with the gap never bridged. The performers are Joy Bang ... and Frank Meyer, a bored cherub who could become a key ambivalent figure for modern films." – James Stoller, The Village Voice Exhibition: Int'l Festival of Short Films, London, 1968 [Overview Selection Courtesy of the Film-Makers' Cooperative]

Rating:
Genre:
Directed By:Andrew Meyer
Written By:
In Theaters:1/1/1967
Box Office:

Runtime:18 minutes
Studio:

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik