Netflix’s ‘The Old Guard’ is an Entertaining Flick
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.

A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.