Tom Grant has found a rich gold vein and Bart Eaton is after it. Tom's sister Mary heads for the gold fields and Eaton and his men follow. Eaton teams up with Ace Daggett who plans to doublecross him and get the gold for himself. They frame Tom for murder and then try to get him to sign over his claim. The famous scout Tex Houston is on hand, escaping the attempts on his life, saving Mary from various perils, and trying to bring in the real killer and clear Tom.
Ray Taylor, Alan James
Director
Johnny Mack Brown
Tex Houston
Eleanor Hansen
Mary Grant
William Royle
Henchman Jim Crosby
Charles Middleton
Ace Daggett
James Blaine
Bart Eaton
Charles Stevens
Henchman Breed
Jack Rutherford
Buffalo Bill Cody
Eddy Waller
Andy Grant
Ed Cassidy
Joe - Henchman
Karl Hackett
Jake
Jim Farley
Hawkins
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
This article will cover why this film is categorized as a documentary and concert film.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.