Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Portugal, late 1940's. André must leave the country after running away from prison. In Oporto some friends get him a guide, Lambaça, a smuggler who knows very well the Trás-os-Montes border from Portugal to Spain.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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