Revisiting ‘Shaft’ in 2019: The Father-Son Comedy That Cops Out
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.

Once upon a time, there was John, an old American Indian, living on a reservation in Northern Ontario, Daniel, his young, disillusioned neighbor, and Marion, a pretty French girl, smitten with her "Johnny, my love." When Marion arrives on the reservation, adorned with her beautiful wedding dress, Daniel informs her that John has already departed this world; he never returned from a solo fishing expedition. More importantly, Marion is mistaken: John was his friend, if she and John were to be married, Daniel would have known about it.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
This reboot of The Wonder Years is told from the lens of a Black man.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch