Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Ada and her partner Rino move into a secluded villa surrounded by nature. Expecting their second child, Ada finds herself haunted by the unresolved grief of losing their firstborn. As the due date approaches, the sorrow she has long suppressed resurfaces, and she begins to sense a disturbing presence-convinced that her late son has returned from beyond to prevent the birth of his sibling. Is something truly supernatural at play, or is Ada slowly losing her grip on reality?
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'