A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Alexander grows up in a small house with his loving grandmother. In order to avoid his father’s fate, on his tenth birthday, he promises her that he will never fall in love. Every Sunday, Alexander visits his father, who has retreated to live in the Vienna subway system since the death of Alexander’s mother. As a young adult, Alexander wants to be closer to his father and decides to take a job in a lost-and-found office in the underground. It is here that he meets the beautiful and vivacious Caro (Verena Altenberger) in her cute subway hatter store. Although Alexander has successfully resisted love before, now his self-imposed oath becomes a difficult promise to keep.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.