“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
The Olivia Wilde renaissance is upon us.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.