Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Fire in the Flesh poster

Fire in the Flesh 

Physicist Theodore Heldt, his young daughter Fern and his assistant Larry Gordon, on board a ship for a scientific expedition, are shipwrecked in the Pacific Ocean after a terrible storm. They find themselves safe and sound on an exotic desert island paradise. Several years pass, the professor dies and Fern and Larry, long in love and alone in the world, are united. One day, the ship they'd been waiting for appears, but the sailors are three smugglers who, instead of representing salvation, pose a threat to the young couple.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Physicist Theodore Heldt, his young daughter Fern and his assistant Larry Gordon, on board a ship for a scientific expedition, are shipwrecked in the Pacific Ocean after a terrible storm. They find themselves safe and sound on an exotic desert island paradise. Several years pass, the professor dies and Fern and Larry, long in love and alone in the world, are united. One day, the ship they'd been waiting for appears, but the sailors are three smugglers who, instead of representing salvation, pose a threat to the young couple.

Rating:
Genre:Romance, Adventure, Drama
Directed By:Alfred Rode
Written By:Jean-Pierre Marchand
In Theaters:
Box Office:

Runtime:93 minutes
Studio:Films Alfred Rode

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger