It's Sunday afternoon again. Italian building workers Gino and Cosimo are hanging about in a shabby pub somewhere in Berlin. Gino would give anything to be chatting up German girls, Cosimo on the other side is pining for a big German sausage. First, they set about fulfilling this particular wish...
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
