Pompous and self-absorbed Kyle, is unhappily stuck in his life, longing to relive the success of his first novel. His not-so-desirable life rapidly unravels forcing him to return home to his wildly eccentric family with his tail between his legs. Life at home begins to show signs of improvement when Kyle meets the spunky, vivacious girl across the street who recruits Kyle to help her make the world a better place, making him feel alive for the first time in ages and inspiring his writing. But its short-lived. Joys been told shes going to die soon and wants Kyle to write her obituary.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
A teen comedy that nobody wants to see.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
