Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Fikret Bey poster

Fikret Bey 

Throughout his life, Mr. Fikret thought of his country, saying, "Domestic goods are the goods of the country," and strove to do useful work for his homeland and his people as best he could. As his life drew to a close, Mr. Fikret made an important breakthrough in his youth by contributing to domestic production. The elderly workaholic went bankrupt and spent the last years of his life struggling with this hardship. Meanwhile, his son, who was labeled a political criminal in the darkness following September 12, served time in prison and later left the country. With the loss of his son and the business he had dedicated his entire life to, he was left with nothing.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Throughout his life, Mr. Fikret thought of his country, saying, "Domestic goods are the goods of the country," and strove to do useful work for his homeland and his people as best he could. As his life drew to a close, Mr. Fikret made an important breakthrough in his youth by contributing to domestic production. The elderly workaholic went bankrupt and spent the last years of his life struggling with this hardship. Meanwhile, his son, who was labeled a political criminal in the darkness following September 12, served time in prison and later left the country. With the loss of his son and the business he had dedicated his entire life to, he was left with nothing.

Rating:
Genre:Drama
Directed By:Selma Köksal
Written By:Necla Algan, Selma Köksal
In Theaters:
Box Office:

Runtime:

Studio:Oyuncular Film

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger