“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

A revelation of the distant universe, accomplishing through film animation what even the most far-seeing telescope cannot do. The film explores the fourth state of matter, the plasma that fills the infinite void between stars and galaxies. Single atoms in space, or planets as large as the sun, are each seen to have their own magnetic fields, attracting to themselves streams of invisible particles just as iron filings are drawn to a magnet. This has the same awe-inspiring quality as the earlier Universe, with colour adding to its wonder and dimension.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.