Kicking off the Summer with 'Malibu Rescue'
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.

Benjamin is at war: with life, with adults, with himself. From his earliest childhood onwards, the 13-year old has been shunted from one care home to another. When his mother has to go to prison, he is sent to his father, whom he has never known. The man turns out to be a dead loss, a warehouseman who's given up on life, a man in his mid-40s who still lives with his Moroccan parents in a high-rise block in the banlieue. Benjamin's turbulence and violence soon prove too much for his new family.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.