'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

It has been 35 years since Maria left her newborn in a baby window. With the help of the authorities, she tracks down her daughter and meets Caroline for the first time. A DNA test is to prove their kinship. An increasingly close relationship develops between Maria and Caroline. However, unfulfilled expectations and quiet accusations threaten to break it time and again. The two women struggle together – until the result of the DNA test is available.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Emily and Stephanie are back... just add gin and drama.