Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Five Danish stand-up comedians fled the country in the spring of 2003. Their escape took them through 20 Danish cities, where they performed 29 shows for more than 16,000 audience members. On Saturday, April 5, Magasinet in Odense hosted the show with Carsten Bang, Lasse Rimmer, Omar Marzouk, Mikael Wulff, and Sebastian Dørset. That same evening, the show was recorded on video. A short time later, it was released. And in just a moment, you will be able to purchase it. Then you can watch it again and again and perhaps call your friends and say, "Come and watch 'Fem På Flugt' with me," and while you wait for them to arrive, you can watch it again before you all watch it together. And afterwards, you can enjoy watching it again. Or maybe just enjoy a game of Yahtzee and a good Swedish sausage stew. It's up to you, really. Anyway, buy this show. Come on. Be nice.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
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