Feast & Fate 

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.

Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers. 

"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.

The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.