A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.
Otar Iosseliani
Director
Katja Rupé
Claire
Alix de Montaigu
Delphine Laplace
Francois Michel
Philippe
Jean-Pierre Beauviala
Colas
Pascal Aubier
Monsieur Laplace
Christiane Bailly
Agnès
Bernard Eisenschitz
Gustave
Hans Peter Cloos
Monsieur Duphour-Paquet
Maïté Nahyr
Madeleine Duphour-Paquet
Mathieu Amalric
Julien
László Szabó
Terrorist
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.
“There’s always something you can do…to make people feel like they’re welcome”
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.