Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

Goofy plays everyman again. He's an average working joe who demonstrates "the up on time/work on time/bed on time" routine while going from work to home every weekday. On Saturday night, however, he parties it up and attempts to get some rest the next Sunday but with his son around, it's impossible. He insists Dad take him to the beach and, although Goofy refuses, he ends up going anyway where he gets into all sorts of trouble mainly as the result of chasing his son all over the place. Worse yet, when he leaves, he falls victim to the world's biggest traffic jam. As a result of all this, he is relieved to go back to work the following week!
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
A man found himself stuck inside the passage to the subway exit on the way to work.