Goofy plays everyman again. He's an average working joe who demonstrates "the up on time/work on time/bed on time" routine while going from work to home every weekday. On Saturday night, however, he parties it up and attempts to get some rest the next Sunday but with his son around, it's impossible. He insists Dad take him to the beach and, although Goofy refuses, he ends up going anyway where he gets into all sorts of trouble mainly as the result of chasing his son all over the place. Worse yet, when he leaves, he falls victim to the world's biggest traffic jam. As a result of all this, he is relieved to go back to work the following week!
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
