
The violent unrest between Buddhists and Muslims in the three southernmost provinces of Thailand, sparked in 2004, has grown into a brutal insurgency that has claimed more than 5,000 lives on both sides. Police Captain Taron Yangcheepchob (Sukollawat Kanarot), a Thai Buddhist from Bangkok, volunteers to a posting at a station in the troubled South. He begins to understand the roots of the conflict and how policies of successive governments have failed to stem the ongoing violence. As his worldview is challenged, Taron's heart begins to change, and he finds himself drawn towards Islam.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Not every silence is empty. Some are filled with things too heavy for words.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.