The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

In the near future, emotions are for sale. It was a painful choice, but Francesco decided to sell his love for his daughter, Anna: he wouldn't have done it if the child's life weren't compromised by a terminal illness. The buyer is Mario, a man driven by an ambiguous spirit of sacrifice, at the highest price a father can feel.
Two Korean sisters must save their family after a ghost tears the family apart.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.