'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

On a small island, a saint is about to be canonized by the church. His icon has no face. According to local lore, one night the saint stepped out of the icon, visited the fair and scandalized the believers. He was ashamed of his behavior and never returned. After a disastrous weekend, a writer discovers that a painter had actually been commissioned to paint the portrait of a saint, but that his dissolute way of living led the locals to attribute to the saint the painter’s acts. The islanders resorted to crime, filling in the blanks of the icon. While seeking the truth, the writer dies in a dramatic way. A while later, his corpse is found. It has suffered abuse. A reporter undertakes to cover the story, but is faced with a closed society that refuses to speak.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.