Negative Reactions to ‘Barbie’ Reveal the Pressure of Representation
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?

100 pounds overweight, loaded up on steroids and suffering from a debilitating autoimmune disease, Joe Cross is at the end of his rope and the end of his hope. In the mirror he saw a 310lb man whose gut was bigger than a beach ball and a path laid out before him that wouldn't end well— with one foot already in the grave, the other wasn't far behind. FAT, SICK & NEARLY DEAD is an inspiring film that chronicles Joe's personal mission to regain his health.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.