Molly Davis is a race car sponsor. Her newly hired driver is Christy Hollis, a woman who has no problem seducing a traffic cop to take her from behind, only to get a ticket anyway. Molly's other driver is Casey, Christy's occasional lover, who likes to seduce Molly's racing mechanic. Molly's previous driver, the mechanic's sister, died after rival sponsor Orson McKnight of McKnight Tires sent his helper Dutch to tamper with her car. While Molly and Casey fool around in Molly's shower, the mechanic's foiling of another car tampering gets him sent to the hospital. Molly repays him for it right in his hospital bed.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
A legacy based on the comic strip for old and new fans of Peanuts.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
