There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction

Fleeing the chaos of home, a young Jamaican boy finds refuge within a community guided by music, spirit and faith, awakening something deep within that will change the course of his life forever.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.