When the astronauts Burke and Virdon, with their chimp companion Galen, are captured in a fishing village that employs human slave labor, they must prove their worth as fishermen or be sacrificed to the 'gods of the sea,' or what the men call sharks. Escaping from the forced labor camp, the trio become involved in a plot to develop a glider to drop a fragmentation bomb on the gorilla council. [The fifth of five telefilms edited from episodes of the 1974 TV series; this film combines the episodes "Tomorrow's Tide" and "Up Above the World So High"]
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
