When old Mr. Park dies, his first son Chan-Wu, a film director, and his troublesome daughter Mi-Seon hurriedly come back to their rural hometown, and third son Chan-Se comes back to Korea from America. As the quiet country village gets busy preparing funeral, the house in mourning becomes a meeting place where villagers gather to ask how they are getting along and meet old friends. The children mourn their father's death and above all Mi-Seon, who caused her parents a lot of grief, can't stop crying. Chan-Wu, the chief mourner, has a revelation about his career, and Chan-Se prepares to sing hymns for the Confucian funeral service. Old Man Park's sister sells insurance products and gradually the funeral service becomes for the living rather then the dead.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
