Another Simple Favor: Secrets, Style, and a Sip of Queer Representation
Emily and Stephanie are back... just add gin and drama.

Late 10th century. A traveler crosses the mountains, far from his home in Cordoba, capital of the prosperous Caliphate of Al-Andalus. He sings to his beloved. He is followed by a bird of prey. He meets a mischievous shepherd for whom he plays the oud. But the shepherd is most interested in his flute
Emily and Stephanie are back... just add gin and drama.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.